Saturday, 23 May 2015

Where Music Lives...




















“In the economy of sound, music is found.”—Dami Ajayi.

In a certain office free of sound,
A professor thinks of crotchets and minims as music.

At the corner, a dusty piano stands in regret
Its keys and pedals as memorabilia for display.

These walls are new graves for Haydn and Beethoven,
Symphonies don’t sound in scores scattered in shelves.

But where is the sound where music shows its face?
These papers don’t sing; humans do. Instruments do too.

Take a walk along the streets where songs don’t hide
Take a walk, my old man, don’t sit and stare at sheets of papers.

The streets are full of strange sobriquets and songs
There’s a tune in every laughter and hot cup of coffee.

The firmness of Audre Lorde’s poetry is music in disguise
Music wields a painter’s brush; spilling colours on verses and pages.


From a mansion in Ikoyi, stereos wail for Wizkid’s Ojuelegba
A broken-hearted lady in London sheds tears for Adele’s Someone Like You.

Drive to the suburbs and witness a wine-tapper at work;
Whistling on palm-trees, the calabash is filled with wine.

Who argues against palm-wine’s penchant for music as whistles?
Wine is music and music is wine; there’s no coda section there.

Somewhere in Ajegunle, blackout is haven for all mosquitoes
Their music is a call for compulsory blood donation.

While the first melody interrupts a kiss in your dream;
The next is a wake activated by a self-slap after a pint is gone.

In London, Asda’s muzak sings to you about ten more goods;
You walk around in search of products that don’t need you.

Come away from your Google search for Bizet’s Carmen opera;
The music is happening live on stage in the city of London.

In Ife, a talking drum mentions names of men and ancestors;
The Igbo man’s flute fetches money from pockets of potentates.

In Kampala’s suburbs, ululations greet Museveni’s convoy
And djembe drums roll out rhythms for Macky Sall’s Senegal.

In my visions of here-and-now, a huge dog barks in baritone
And I remember a bass singer in my choir of long long years.

What happened to those riff’s from Fela’s years as Kalakuta King?
The prophecy of shuffering and shmiling is Nigeria’s existential reality.

Come away from the turmoil of long Lagos queues and traffic;
Come away from the scarcity of genuine love and laughter.

Spread your arms and hearts to welcome a new form of healing;
Music is in the streets of your city; embrace it now and always.

© Echezonachukwu Nduka 2015.

Photograph: The author.

Sunday, 3 May 2015

High Street on Kingston upon Thames























First Sunday in May.

The time is 11:17am and we are in All Saints Church. The priest says the benediction and we all stand to sing the closing hymn. Vergers lead the recession of the choir and clergy amidst an overwhelming symphony bellowing from the organ pipes. The organist, a bespectacled man with an unassuming mien swings from side to side as his feet moves freely on the organ pedals in utter show of expertise. The organist is as mysterious as the organ.

The service ends and I exchange pleasantries with an old lady sitting beside me who asks if I would stay back for coffee. I tell her that I would have loved to stay but would rather leave immediately to catch up with another appointment.

I leave the church feeling lighter, like a heavy burden was lifted off my shoulders. Music heals. 

The high street is awash with music from several bands. Quick steps from passersby are brought to a halt to listen for some minutes, and, perhaps, spare a coin or more. I stop to watch a particular band made up of four young men and a girl. Two guitarists. One drummer. Two singers.  Fascinating rock music. There is no appointment more urgent than music unless it has something to do with money, of course.

The band reaches a climax and ends amidst applause. A young lady screams bravo and goes to drop a coin in their box. Caucasian. As she returns, I walk up to her and flash a smile.

“Hey, Good morning”.
“Good morning.”
“I bet you love their music.”
“O yeah, they’re good” she says and adjusts her sunglasses, as if to see me clearly.
“I am Eche.”
“Lizzy.”                              

I ask if she could take a photo of me with my phone.

She smiles and collects my phone.

I pose.

Click!
 
I thank her as I take my phone back, leaving behind my goodbye and the music.

© Echezonachukwu Nduka 2015